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Anthroprophh 'Omegaville' 2xLP

Anthroprophh 'Omegaville' 2xLP

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In the near-twenty year period of Rocket Recordings’ existence, its ethos has expanded in untold directions, yet always with the destruction of boundaries and the expansion of consciousness high on the agenda. Nonetheless, the original spirit of the label remains a universe that revolves around the twin planets of Fuzz and Wah - the mind-frying six-string duality that warps sound spectrums and overheats speaker cones in pursuit of reckless sensory overload. What’s more, few guitarists have been richer exponents of just these two ingredients than Paul Allen, who not only appeared on the very first Rocket 7” of 1998 with The Heads, but who also fronts Anthroprophh, an outfit who take both garage-bound filth and wayward, abstract artistry to zones beyond comprehension. Omegaville - the third release on Rocket for this power trio alongside bassist Gareth Turner and drummer Jesse Webb - lives up to its name in driving just such demented predilections into head-spinning chaos. Structured by Allen’s admission akin to Can’s Tago Mago, this is a cliff-edge into sanity-risking overload which has much in common with the glory days of 1971 - the Nurse-With-Wound list realm of record-collector gold where heavy rock, nascent prog and wilfully art-damaged netherscapes thrived. Omegaville finds equal space for everything-on-11 riffage of a distinctly Stoogian/stygian stripe, bracing musique concrete, Butthole Surfers-esque bedlam, Chrome-style sci-fi noise-pop, surreal British humour, and what sounds essentially like a ‘60s NASA HQ going up in flames. At the forefront of much of this, however, is Allen’s guitar playing itself - taking Hendrix and Asheton-esque shapes and warping them beyond recognition into new paradigms. Who’s to say exactly where Anthroprophh move on from this guileless aural endtime mission. Yet Omegaville - in the tradition of most great out-rock and psych-noise - feels very much like a foot placed firmly on the accelerator in search of dimensions unknown - a liminal zone where fuzz and wah transcend space and time.
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